Do you want to overthrow a dictator, expose political corruption, or advance democratic goals? Pranksters vs. Autocrats presents a proven method to help advance the goals of non-violent activists. We offer in-depth analysis and a how-to guide to dilemma actions – a tactic that helps put political opponents in a lose-lose situation and gain visibility for your movement. Non-violent activists have long known that dilemma actions are especially effective, but this is the first book to offer empirical data to prove how and why dilemma actions work.
From Gandhi’s Salt March to the Arab Spring and from Estonia’s Laughing Revolution to local activism in sub-Saharan Africa, this book offers readers a diverse array of forty-four case studies that have shaped popular struggles for democracy and a wide range of human rights struggles across the globe. As you read this, we’ll explain how and why dilemma actions work and how to think like an effective organizer. If you already are an organizer, you’ll learn how to design actions that are fun, funny, and effective. Most importantly, you’ll learn about the power of creativity and wit in some of most important social change struggles of the last century.
The Routledge Companion to Literature and Human Rights provides a comprehensive, transnational, and interdisciplinary map to this emerging field, offering a broad overview of human rights and literature while providing innovative readings on key topics. The first of its kind, this volume covers essential issues and themes, necessarily crossing disciplines between the social sciences and humanities. Sections cover:
- subjects, with pieces on subjectivity, humanity, identity, gender, universality, the particular, the body
- forms, visiting the different ways human rights stories are crafted and formed via the literary, the visual, the performative, and the oral
- contexts, tracing the development of the literature over time and in relation to specific regions and historical events
- impacts, considering the power and limits of human rights literature, rhetoric, and visual culture
Drawn from many different global contexts, the essays offer an ideal introduction for those approaching the study of literature and human rights for the first time, looking for new insights and interdisciplinary perspectives, or interested in new directions for future scholarship.
Do you watch satire TV? Have you re-posted a hilarious, yet biting graphic on facebook or tweeted round the clock jabs at inane politicians? Does it sometimes seem to you that Jon Stewart is a better journalist than most of CNN, Fox, and MSNBC? And were you a bit disappointed when Stephen Colbert did not actually run for president? If you or someone you know has done any of the above, then you’ll want to read this book. Is Satire Saving Our Nation? surveys the broad landscape of satire today and situates it within our nation’s history.
We are witnessing an unprecedented growth and importance of satire in the public sphere, but is that fact good or bad for the health of our nation? Co-written by a millennial and a scholar, Is Satire Saving Our Nation? shows how satire has become a central part of today’s youth culture and it explains why it might just save our democracy after all.
“Is Satire Saving Our Nation? The authors of this important book make a compelling case. Far from turning politics into a joke, satire demands intellectual engagement, critical imagination, and a community of understanding — the very ingredients necessary for a healthy democracy. With their seemingly paradoxical, but accurate, observation that satirists may be the only ones speaking sanely in our increasingly absurd public sphere, McClennen and Maisel have challenged and enriched our thinking about what constitutes ‘serious’ politics.”
— Stephen Duncombe, New York University, USA, co-founder of the Center for Creative Activism, and Yes Men collaborator
“McClennen and Maisel move us well beyond the assumption that satire is something ‘done’ to us, recognizing instead that satire is a tool through which citizens—professional and amateur provocateurs alike—engage the political world in playful, critical, and positive ways. This most helpful book lets us see that satire is, ultimately, a language through which citizen engagement is being redefined through media activism.”
— Jeffrey P. Jones, Old Dominion University, USA, Director of the George Foster Peabody Awards, and author of Entertaining Politics
“A thrill ride from beginning to end! As incredibly thorough studies of the effects of political satire go, of course. This book is loaded with truthiness and it confirms my long-held suspicion that McClennen and Maisel have been secretly following me around for the past 18 years.”
—J.R. Havlan, Writer for The Daily Show with Jon Stewart (1996-2014) and winner of 8 Emmys
In 2005, comedian Stephen Colbert left the cast of The Daily Show for his own show, The Colbert Report, which has since become famous for satirizing personality-driven political shows like The O’Reilly Factor and Hannity. Since the show’s first episode, Colbert’s program has entertained its audience, encouraged political discourse, and stirred some of the most complacent members of society.
In her new book Colbert’s America: Satire and Democracy, Penn State professor, Sophia A. McClennen, examines how the comedy of Stephen Colbert packs enough political punch to change the way a nation thinks. The first book to cover the various themes and features of Colbert’s satire, Colbert’s America gives readers insight into the powerful ways that Colbert’s comedy challenges the cult of ignorance that has been threatening meaningful public debate since 9/11.
McClennen suggests that Colbert does more than mock pundits and politicians: he actually has helped influence a new generation of actively involved citizens. As Colbert’s America explains, satire offers the public a medium through which to express resistance to reigning political policies and social attitudes. But Colbert’s satire goes even further, offering viewers myriad ways to engage with society.
Colbert’s America also claims that the ability to speak truth to power through parody or mockery is at the heart of political satire. McClennen suggests, for instance, that Colbert’s performance at the 2006 White House Correspondents’ Dinner, when he mocked the President to his face, was a watershed moment—for Colbert’s career, for the Bush presidency, and for highlighting a new era in media. Some of these same innovations can be seen in his recent engagement with the 2012 elections.
McClennen’s book makes a number of key arguments:
- Colbert’s show has blurred the lines between parodying the news and creating the news, between mocking politics and participating in it, between having fun and making a difference.
- By combining comedy with biting social critique Colbert’s satire has redefined what it means to be a public intellectual.
- Colbert’s show both entertains and educates at the same time.
- Colbert’s in-character persona offers an especially complex version of satire—one which depends on the critical thinking abilities of his audience.
- Colbert is part of a long legacy of US satirists that used parody to advocate for democracy.
- Interactive media, including blogs, podcasts, and videos have emerged as powerful tools that help spread Colbert’s message.
- Colbert ushered in a new age in media, attracting youth culture to politics, economy, and social issues in unprecedented droves.
Despite these potential pitfalls to his form of satire, McClennen argues that ultimately Colbert’s show offers his audience a way to “amuse itself to activism.” Against claims that suggest that satire encourages cynicism, apathy, or disrespect for democracy, Colbert’s America argues that Colbert’s satire is a powerful tool for fostering civic engagement.
McClennen writes, “Watch Colbert. Night after night, he does a show where he has a bunch of fun and raises viewer awareness of a range of major social issues. Even more, he lets his viewers in on the fun. What they do after they turn off their televisions is up to them.”
Neoliberalism, Education, Terrorism: Contemporary Dialogues is a collaborative effort among four established public intellectuals who deeply care about the future of education in America and who are concerned about the dangerous effects of neoliberalism on American society and culture. It aims to provide a clear, concise, and thought-provoking account of the problems facing education in America under the dual shadows of neoliberalism and terrorism. Through collaborative and individual essays, the authors provide a provocative account that will be of interest to anyone who concerning with the opportunities and dangers facing the future of education at this critical moment in history.
“In times like these, Neoliberalism, Education, and Terrorism is essential reading for any concerned American.”
— Teachers College Record
The contributors to Neoliberalism, Education, and Terrorism call for academics to recognize and resist neoliberal economic policies and the state’s conduct of the war on terror as forces eroding what they call “progressive education” in post–September 11 America. By concretely analyzing how these forces are working to appropriate education at all levels, studies like this not only provide useful sociopolitical insight into the challenges educators face but also remind us of the need to do something about them.
Ariel Dorfman: An Aesthetics of Hope is a critical introduction to the life and work of the internationally renowned writer, activist, and intellectual Ariel Dorfman. It is the first book about the author in English and the first in any language to address the full range of his writing to date. Consistently challenging assumptions and refusing preconceived categories, Dorfman has published in every major literary genre (novel, short story, poetry, drama); adopted literary forms including the picaresque, epic, noir, and theater of the absurd; and produced a vast amount of cultural criticism. His works are read as part of the Latin American literary canon, as examples of human rights literature, as meditations on exile and displacement, and within the tradition of bilingual, cross-cultural, and ethnic writing. Yet, as Sophia A. McClennen shows, when Dorfman’s extensive writings are considered as an integrated whole, a cohesive aesthetic emerges, an “aesthetics of hope” that foregrounds the arts as vital to our understanding of the world and our struggles to change it.
To illuminate Dorfman’s thematic concerns, McClennen chronicles the writer’s life, including his experiences working with Salvador Allende and his exile from Chile during the dictatorship of Augusto Pinochet, and she provides a careful account of his literary and cultural influences. Tracing his literary career chronologically, McClennen interprets Dorfman’s less-known texts alongside his most well-known works, which include How to Read Donald Duck, the pioneering critique of Western ideology and media culture co-authored with Armand Mattelart, and the award-winning play Death and the Maiden. In addition, McClennen provides two valuable appendices: a chronology documenting important dates and events in Dorfman’s life, and a full bibliography of his work in English and in Spanish.