McClennen joins the CANVAS Summer Academy
Sophia McClennen presents at the Center for Applied Nonviolent Actions and Strategies Summer Academy with @SrdjaPopovic @CANVASNVS on “Creative Activism, Dilemma Actions, And The Use Of Humour – Hilariously Groundbreaking Tactics.”
McClennen joins the CANVAS Summer Academy
Sophia McClennen presents at the Center for Applied Nonviolent Actions and Strategies Summer Academy with @SrdjaPopovic @CANVASNVS on “Creative Activism, Dilemma Actions, And The Use Of Humour – Hilariously Groundbreaking Tactics.”
McClennen joins panel on political correctness and comedy.
McClennen joins a virtual panel discussion on “No Laughing Matter: Comedy, the Constitution, and Cancel Culture” for the Media Law Resource Center, May 21, 2020.
McClennen joins panel on political correctness and comedy.
McClennen joins a virtual panel discussion on “No Laughing Matter: Comedy, the Constitution, and Cancel Culture” for the Media Law Resource Center, May 21, 2020.
What good is comedy during a pandemic?
McClennen interviewed on political comedy in the age of the coronavirus for KPFA radio. Have a listen here.
What good is comedy during a pandemic?
McClennen interviewed on political comedy in the age of the coronavirus for KPFA radio. Have a listen here.
McClennen to lecture at Stanford
McClennen will present work on her new book at Stanford’s “LIT+: A Conference on the State of the Interdisciplines,” on December 5 and 6, 2019.
McClennen to lecture at Stanford
McClennen will present work on her new book at Stanford’s “LIT+: A Conference on the State of the Interdisciplines,” on December 5 and 6, 2019.
'Stupid, but it works’: satirical candidate brings levity to Canada election
The presence of satire in elections is only going to rise. McClennen interviewed on the topic for a new piece in The Guardian by Tracey Lindeman.
'Stupid, but it works’: satirical candidate brings levity to Canada election
The presence of satire in elections is only going to rise. McClennen interviewed on the topic for a new piece in The Guardian by Tracey Lindeman.