“Taking sides is not my job”: “Retrograde” filmmaker Matthew Heineman on documenting a war's end
Salon talks to Matthew Heineman about his new film about the final days of the U.S. War in Afghanistan
“Taking sides is not my job”: “Retrograde” filmmaker Matthew Heineman on documenting a war's end
Salon talks to Matthew Heineman about his new film about the final days of the U.S. War in Afghanistan
Matthew Heineman’s documentary “Retrograde”: A chilling, intimate view of the Afghanistan War's end
This unique new film focuses on the failures, human costs and consequences of the abrupt end to the longest US war
Matthew Heineman’s documentary “Retrograde”: A chilling, intimate view of the Afghanistan War's end
This unique new film focuses on the failures, human costs and consequences of the abrupt end to the longest US war
Michael Moore predicts Democrats will win big in the midterms. Could he be right again?
Maverick filmmaker who called 2016 for Trump sees a “tsunami” of angry Democrats hitting polls in “Roevember”
Michael Moore predicts Democrats will win big in the midterms. Could he be right again?
Maverick filmmaker who called 2016 for Trump sees a “tsunami” of angry Democrats hitting polls in “Roevember”
25 years of “The Daily Show”: Here’s 5 ways it permanently changed U.S. satire
“The Daily Show” launched as a parody of news, but 25 years later it has become more important than the news
25 years of “The Daily Show”: Here’s 5 ways it permanently changed U.S. satire
“The Daily Show” launched as a parody of news, but 25 years later it has become more important than the news
Why it's (almost) impossible to argue with the right
The right only debates with itself: their view and their version of the left. Fighting with that is near impossible
Why it's (almost) impossible to argue with the right
The right only debates with itself: their view and their version of the left. Fighting with that is near impossible